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In this deliberately campy, slightly slapstick European parody of Alfred Hitchcock films from the 1950s, a newlywed couple returns from their honeymoon to discover that they have accidentally switched suitcases at the airport. They know the bag they have isn't theirs because it is stuffed with 500 million lire. At first they put out an ad for the owner; then they decide to keep it for themselves. Mayhem ensues when the bag's thuggish owners suddenly show up at the couple's housewarming party and demand they give every penny back. Later when one of them returns to threaten the bride, she accidentally kills him. His partner and a policeman chase the couple into the mountain retreat of the bride's brother, a frustrated writer. He finds the mess inspiring, and then is assisted by the gangster's ghost, who becomes his muse. The ghost gives them the advice they need for the couple to safely escape.

Andrea and Filippo love each other and have been together for many years, which is why Andrea thinks the time has come to get married and registers a request with the municipality with his own name, as if it were that of a woman: Mrs. Andrea Viglione. Being civilly united with Filippo is not enough for him, he wants marriage. He doesn't know, however, that many issues will have to be resolved before that day. First of all, Filippo doesn't find the courage to tell his father and grandfather that he is gay. But Filippo isn't the only one who doesn't have the courage to tell the truth in his family. Also Anna, Andrea's mother, who has rebuilt her life in the United States is unable to tell her husband Anthony and her son Jimmy that Andrea is gay. Especially since Anthony is running for governor of Kansas for the conservatives and his son Jimmy, while still a child, is already a talented evangelical preacher of strict principles.

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

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暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

A documentary made with archive footage and photographs alternating with recent film footage; the choice of texts is taken from Mario Rigoni Stern, Emilio Lussu, Piero Jahier, Filippo Sacchi, and Nuto Revelli.